I got to know Dusty when David Acevedo lived with him in the house at 10th and Oak(some wild times - I have photos). Since then we have been on quite a few road trips together, and he has been working very hard on his music (and reading a lot, listening to music, and stealing everything he can) (he just said he has 75 songs now).
Friday night he did a show at the Sidedoor. After, he couldn't stop playing, brought out his guitar and played a new song. I hit record on my camera and this is what I got. Gaylin dancing along, Walt playing harmonica in the background, an artist friend of Dusty's leaning against the wall. I could use a better camera, but I work with what I have. The light was dim, colors turned out all red, so I brought it into photoshop and turned it in to black and white (and the quality is not good, it's just not as bad as it was before) I do like it though, nice feel, I think I caught the moment. A last winter night in Portland, before Dusty heads back to New Orleans.
Monday, January 12, 2009
Since the New Year I have been creating new pieces. Somehow a new flight of creativity has come my way. This uses two types of lichen (from the Native American fishing grounds of the Klickitat river, and the Deschutes) for color and texture, and a striated banana leaf (from the botanic gardens in Sydney). (and again the lovely Zhalih)
I use lichen because of the visual forms and metaphoric connotations. Mutualism, slow growth in time, complexity of form and pattern.
From Dictionary of the Fungi (Hawksworth et al., 1995)
"A lichen is a ecologically obligate, stable mutualism between an exhabitant fungal partner and an inhabitant population of extracellularly located unicellulary or filamentous algal or cyanobacterial cells."
Posted by James Honzik at 12:05 PM
Tuesday, January 06, 2009
Recombined and reenvisioned, with the color blue, architectural textures, for a New Year.
And a "real" photograph with leaves, reflections, a fall day at the holding pond at Eagle Creek. I have lately been finding photographs to take that are like my experimental portraits; layered, with reflection, decay, pattern.